Introduced to European painting by JMW Turner and Caspar David Friedrich, fog effects became popular in the later nineteenth century.
Pissarro
Paul Cézanne led the way in Aix-en-Provence, followed rapidly by Renoir, Signac, Cross, Luce, van Rysselberghe, and Pierre Bonnard.
Some of the many major works from the 19th century, from Caspar David Friedrich, through Turner and Constable, to Paul CĂ©zanne, and van Gogh’s sunflowers.
From the snowy landscape of Brueghel’s Hunters to Monet’s Magpie, with Pissarro, Signac, Caillebotte and others.
Repoussoir through windows, doors, then invading the middle of the painting with Corot and Pissarro, before Cézanne inverted it altogether.
Landscape paintings by Daubigny, Sisley, Berkos, Astrup, Pissarro, Julian Onderdonk, Granville Redmond, Théo van Rysselberghe and others.
Pontoise by Pissarro, Paul Nash’s Berkshire Downs, Rosa Bonheur’s teams of oxen ploughing, and Grant Wood’s Iowa prairie.
In landscapes by Rubens, Constable, Ford Madox Brown, Frederic Edwin Church, Millet, Pissarro, Breton, and Prendergast.
Even the most humble wooden or stone bridge has a satisfying geometry about it that contrasts with natural forms without looking out of place.
The Corydon Shepherd, those attending the Nativity, the Good Shepherd, Poussin’s flocks, Millet’s social realism, and Pissarro’s epitaphs.
