How some landscape painters blurred the view to paint, while others have depicted motion blur, depth of field effects, or an edge hierarchy. Links to each article in the series.
painting
Shackles of the night, in a well, as a rope ladder how Romeo meets Juliet, trussing up a robber, or hanging John Brown, the abolitionist.
How ropes form a thread running through these four paintings of the Passion and Crucifixion Tintoretto painted.
She fell in love with Sir Lancelot, nursed him back to health after he was badly wounded, but he refused to marry her, or even take her as his lover.
In 1876, Moreau recast Salome as the author of John the Baptist’s execution, amplified by Oscar Wilde, Richard Strauss, and the Dance of the Seven Veils.
The original Biblical account of the martyrdom of John the Baptist says that Herod’s wife Herodias ordered it in revenge, as seen in these paintings.
Painting with an edge hierarchy requires fine control over paint viscosity and drying time, and a deep understanding of technique.
An illustrated account of the 14th successful ascent of Mont Blanc, complete with champagne and red wine, and two oil paintings of other climbs.
Waiting the knight’s end, watching a sorceress, flying over a wheat field, or in front of a sleigh. Wherever they go they seem sinister.
Companions to valkyries, accompanying the Wild Hunt, at the Crucifixion and executions, or the first sign of Spring?
The Eclectic Light Company 