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Trees in the landscape: 9. Théo van Rysselberghe and vibrant pines

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In addition to painting one of the major Neo-Impressionist masterpieces showing poplar trees, he built a series of Post-Impressionist pines-beach-bathers of distinction.

December 7, 2015 General, Painting

Visible brushstrokes: 1. 1400-1700

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A glance through some of the unofficial history of visible brushstrokes and other painter’s marks.

December 5, 2015 Painting

Trees in the landscape: 8. Claude Monet and his poplar series

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His paintings of trees reached a peak in 1887-92, with his series of poplars. Among these are some of the finest Impressionist paintings.

December 3, 2015 General, Painting

Reflections in art: 3 – Cézanne’s conundrums

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Three paintings by Cézanne with major discrepancies in the reflections shown. Were these deliberate? If so, why?

December 1, 2015 General, Painting

Reflections in art: 2 – How to paint perfect reflections on water

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Understanding the optical principles of reflections ensures that you understand how they should appear.

November 30, 2015 General, Painting

Reflections in art: 1 – Turner’s wobbly water, Crossing the Brook (1815)

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Does the way in which Turner painted reflections give deeper insight into his work, or his limitations?

November 29, 2015 General, Painting

Trees in the landscape: 7. Alfred Sisley and the poplars of Moret-sur-Loing

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Sadly neglected today, his landscapes are some of the finest of the century, and his depictions of trees are among the best.

November 26, 2015 General, Painting

Carl Larsson: how a loved and popular painter became lost in controversy

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The monumental mural painted by Larsson was intended to be his greatest painting. It turned out to be his most controversial.

November 22, 2015 General, Painting

Trees in the landscape: 6. Paul Cézanne and constructive strokes

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We will never know exactly what Cézanne intended, but he certainly showed it in his paintings of trees.

November 17, 2015 General, Painting

Book Review: Monet – Lost in Translation, Suzanne Greub (ed)

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Monet’s paintings are overfamiliar, overexposed, and devalued. Can this book cast fresh light?

November 15, 2015 General, Painting

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