Several Finnish painters assumed impressionist style, although in the case of Gallen-Kallela it was a step on his road to Expressionism.
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Their works are rich in light and colour, strongly evocative of one of the most successful artists colonies of the nineteenth century, and include some of the most lyrical paintings of the whole century.
This Poussin exhibition may not have attracted the same publicity as the recent “Late Rembrandt”, but this book is a milestone in art history, and an excellent reference in its own right.
The main German impressionist painters followed the French Impressionists, with Liebermann and Slevogt continuing to use the style well into the twentieth century.
An important collection of essays which are extremely well written, and well worth reading, and reading again.
If anyone led Impressionism during the 1860s and early 1870s, it was surely Jongkind.
From his first influence by Impressionism, van Rysselberghe explored a world of vivid light and colour, painting some of the most distinctive works of the late nineteenth and early twentieth centuries.
The influence of the Impressionists led Claus from rural realism to his distinctive ‘luminism’ and eventually, whilst in exile in London, to his own variant of impressionism.
Whilst the French Impressionists of the day may only have started painting when the sun came out, it was when the sun went in (or down) that Vogels came into his own.
His richly colourful paintings of women are reminiscent of Renoir at his best, and some of his later studies of nudes appear to owe much to the influence of Degas.
The Eclectic Light Company 