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Visible brushstrokes: 4. the curious case of Francesco Guardi

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An innovator with his painterly style, some have suggested that he was even Impressionist – a whole century before Monet.

December 17, 2015 Painting

Visible brushstrokes: 3. after 1865, and some puzzles

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Marks made by the brush and knife serve different purposes from the late nineteenth century. They also beg some fascinating questions.

December 15, 2015 Painting

Trees in the landscape: 10. Thomas Gainsborough and cloud canopies

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He intended to be a landscape painter, and was co-founder of the British school of landscape painting. A major influence of Constable and others.

December 11, 2015 General, Painting

Visible brushstrokes: 2. 1700-1865

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Looser and more painterly styles from Guardi around 1775 to Delacroix in 1862: paving the way for the Impressionists.

December 9, 2015 Painting

Trees in the landscape: 9. Théo van Rysselberghe and vibrant pines

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In addition to painting one of the major Neo-Impressionist masterpieces showing poplar trees, he built a series of Post-Impressionist pines-beach-bathers of distinction.

December 7, 2015 General, Painting

Visible brushstrokes: 1. 1400-1700

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A glance through some of the unofficial history of visible brushstrokes and other painter’s marks.

December 5, 2015 Painting

Trees in the landscape: 8. Claude Monet and his poplar series

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His paintings of trees reached a peak in 1887-92, with his series of poplars. Among these are some of the finest Impressionist paintings.

December 3, 2015 General, Painting

Reflections in art: 3 – Cézanne’s conundrums

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Three paintings by Cézanne with major discrepancies in the reflections shown. Were these deliberate? If so, why?

December 1, 2015 General, Painting

Reflections in art: 2 – How to paint perfect reflections on water

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Understanding the optical principles of reflections ensures that you understand how they should appear.

November 30, 2015 General, Painting

Reflections in art: 1 – Turner’s wobbly water, Crossing the Brook (1815)

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Does the way in which Turner painted reflections give deeper insight into his work, or his limitations?

November 29, 2015 General, Painting

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