Not all sable brushes are created equal, how some are slow starters, and new results for flat or ‘One Stroke’ brushes.
painting
No matter how old and jaded you get, you can always appreciate the breath-taking view from the top of a hill, as the earth sweeps out in myriad details, as far as the distant horizon.
Careful choice of brush can deliver better value for money. We cannot all afford to part with £100 for each size 12 brush that we want, but there are some excellent alternatives which cost much less.
I decided that any method based on painting a wash out would be too erratic, and not give reproducible results.
Given that, for decent quality watercolour brushes, there is a tenfold or greater range in price for any given size, the time has surely come to make more informed choice.
From the early years of landscape painting as a genre in its own right, artists have used it to depict the awe-inspiring but fascinating horrors of the sublime.
Because these landscape elements are constrained within the overall work, the artist has complete control over them, something reflected in their reading too. Such cameo landscapes are never awe-inspiring, but subjugate to the whole.
I am going to try getting inside the artistic imagination of important landscape painters, and discovering the vision that each had of the landscape. Here are some hors d’oeuvres.
We should refer to European and not French Impressionism, although prior to about 1880 the hub of the movement was certainly Paris.
In the absence of any clearly articulated theoretical statements from the core French Impressionists, there are no obvious rules or clear criteria handed down.
The Eclectic Light Company 