His classical narratives are as sophisticated as Leighton’s, his spectacles as good as Gérôme at his best, and he made some of the best paintings of the Aesthetic movement.
painting
Reviled through the twentieth century, in his day he was one of the most eminent British artists. Is he due a revival?
His early paintings were narrative and highly original. From the 1870s they changed, becoming more Aesthetic.
His golden age, when each summer the family moved up to their house at Shinnecock, where he taught, and painted like never before.
His later paintings became weaker in narrative to the point where some seemed almost trite. What was he up to?
His later paintings, after 1858, are quite different from those he made when a member of the Pre-Raphaelite Brotherhood. How?
A busy period of work mainly in his New York studio, Chase met and painted with Whistler in London, and Sargent in New York.
Several Pre-Raphaelites painted this character from a Shakespeare comedy, but as a symbol of despondent isolation. Why?
Taught by Watts, a friend of Rossetti and Frederic, Lord Leighton, his paintings were popular, successful, and well known. Until the early 20th century.
First in a series detailing his life and work. This covers his training, and first establishing his studio in New York. Plenty of his paintings are included.
The Eclectic Light Company 