His golden age, when each summer the family moved up to their house at Shinnecock, where he taught, and painted like never before.
painting
His later paintings became weaker in narrative to the point where some seemed almost trite. What was he up to?
His later paintings, after 1858, are quite different from those he made when a member of the Pre-Raphaelite Brotherhood. How?
A busy period of work mainly in his New York studio, Chase met and painted with Whistler in London, and Sargent in New York.
Several Pre-Raphaelites painted this character from a Shakespeare comedy, but as a symbol of despondent isolation. Why?
Taught by Watts, a friend of Rossetti and Frederic, Lord Leighton, his paintings were popular, successful, and well known. Until the early 20th century.
First in a series detailing his life and work. This covers his training, and first establishing his studio in New York. Plenty of his paintings are included.
Towards the end of his career, he campaigned for students at the Royal Academy Schools to have proper life classes with nude models. And a nude got him into trouble.
You may know him for ‘Broken Vows’, a famous problem picture about unfaithfulness in marriage. Here are some more of his works.
A major project which he eventually abandoned, the remaining studies might today appear cryptic. There is more than one story behind them.
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