Paul Bail left Antwerp, taught Tassi in Rome, who in turn taught Claude Lorrain. Claude-Joseph Vernet learned in Rome, then advised Valenciennes, and so French landscape painting came home.
painting
Two of Hogarth’s later narrative series: Four Time of the Day, and Marriage A-la-Mode, were key in his new British narrative painting.
Probably the best-known of those who showed work at the First Impressionist Exhibition, he was an influential art critic, writer and painter, best remembered now for his sculpture.
An associate of the Camden Town Group, many of his paintings show Brighton, sometimes known as London-on-Sea.
Completing this river cruise, from Canaletto’s view of Westminster, through a Frost Fair, to John Constable’s Headlight Castle.
A river cruise starting with JMW Turner at Maidenhead in the Berkshire countryside, and ending with Whistler at Battersea Bridge.
Hogarth devised series of paintings to tell moral stories entirely visually. A Harlot’s Progress and A Rake’s Progress broke new ground in British if not European painting.
Paintings of the death of Ophelia from 1889 to 1910, including works by Waterhouse, Odilon Redon, and others.
Paintings of the death of Ophelia, from the first by Delacroix in 1838 to an etching from 1889. The most popular scene which happens entirely off-stage.
An outline of the plot of Shakespeare’s greatest play, together with a selection of paintings, excluding those of the death of Ophelia.
The Eclectic Light Company 