He was on board the Carpathia when it rescued survivors from the Titanic, and moved to the West Coast in 1915, where he painted its lush vegetation and rich light.
New York
Trained in the US and Paris, he started painting New York skyscrapers around 1900, the right painter in the right place at the right time.
Hard manual labour and human shields in the First World War, before Tennis at Newport, Jack Dempsey boxing, and a final Summer Fantasy.
Originally intending to be a pro sportsman, became one of the pioneers of the Ashcan School with his gritty scenes of ordinary people in New York.
Colin Campbell Cooper’s skyscrapers on Broadway, Columbus Circle, and Manhattan. George Bellows’ human landscapes, and Joseph Stella’s Coney Island and Brooklyn Bridge.
William Merritt Chase’s leafy suburb of Brooklyn in the late 1880s, Robert Henri’s Ashcan view of busy streets in the snow, and the first of Colin Campbell Cooper’s skyscrapers.
