Realist, Naturalist, or Impressionist? The distinctive landscapes of Thaulow complemented the figurative painting of his friend Christian Krohg.
naturalism
Miners on strike in the Nord-Pas de Calais coalfield in 1880, a painting which may well have inspired Émile Zola to write his most popular novel, ‘Germinal’.
His masterpiece is a prime example of Naturalism, but he was a close friend of Degas and Renoir, and a major patron and collector of Impressionism.
After a series of major paintings in the 1890s, he devoted himself to print-making. An aviation enthusiast, he painted ballooning, and an early air ambulance.
Trained in the same studio as Bastien-Lepage and Gervex, he emerged a bitter critic of academic painting. He painted several masterpieces of Naturalism.
1882 was a remarkably productive year for him, with a succession of major works, including landscapes, and Naturalist paintings which were dominant long after his death.
A detailed look at his paintings of the rural poor which led up to Naturalism, and how he used a compositional formula so successfully.
After a rough patch in the 1890s, he found his earlier form and painted spectacular works showing seabirds around the fragment coast of the Baltic.
Following Dürer’s 1502 painting of a Young Hare, Liljefors painted wild birds and animals in their natural environment. He remains one of the most important wildlife artists.
His paintings of markets, including Paris’s famous Les Halles, are superb, as are his pastels.
The Eclectic Light Company 