A series of paintings of beautiful women, culminating in a large work featuring hundreds of female figures. The artist had one thing on his mind.
myth
He had 11 paintings shown at the Exposition Universelle in Paris, in 1878, following which he was commissioned to paint over 60 watercolours.
Two paintings showing Salome. In one, she dances for Herod, and asks for the head of John the Baptist. In the other, she tries to stare out the severed head.
After some false starts, he finally re-established his reputation at the Salon, but was that work a political allegory?
He still couldn’t repeat his earlier success in the years running up to the Franco-Prussian War. But some paintings have been under-appreciated.
Based on Michelangelo’s fresco in the Sistine Chapel, these unique works tell us more about Blake’s beliefs than his other paintings.
Two paintings of the buried dismemberment of a victim: one theatrical narrative, the other a serene reverie of anti-theatrical non-narrative. And an oriental witch.
A brief tour through some of Blake’s personal mythology, as depicted in his paintings. With explanations.
He took the Salon of 1864 by storm, but was barely noticed with 2 more paintings the following year. Why?
Decoding one of Blake’s paintings enables its reading: an obscure author of devotional texts takes us on a tour of different variants of God.
The Eclectic Light Company 