The first six paintings in his mature 1902 version of the Frieze explore the early development of love, told from a very personal point of view.
Munch
Each of the paintings exhibited by Munch in 1895 tells a part of his story of ‘the life of the soul’, of love between man and woman. And of Munch’s own life.
Less well known outside Norway, later works include vast canvases for Oslo University, and many vibrant and vigorous paintings of nudes and landscapes.
In which he paints The Scream, shoots himself in the hand, exhibits The Frieze of Life, and paints some monumental works – in scale and intent.
First article outlining Munch’s life and work. His early works shocked critics in Norway, and in Berlin brought an exhibition to a premature end.
Initially a portraitist and history painter, be became strongly Impressionist, painting wonderful landscapes in the late nineteenth century.
Several Finnish painters assumed impressionist style, although in the case of Gallen-Kallela it was a step on his road to Expressionism.
