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Morland

Pigment: A white less toxic, Chinese white

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It’s not Chinese, and for centuries was ignored, as lead white was preferred. It came into use during the 19th century, and is seen in paintings by Friedrich, Cézanne, van Gogh, Klimt, and Hodler.

April 27, 2018 General, Life, Painting, Technology

Figures in a Landscape: 2 Figures, narrative, ground

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What are accessories or ‘staffage’, what narrative, and what intrinsic to the reading and style of a landscape?

May 29, 2017 General, Painting

Deep and crisp and even: some seasonal snow on canvas

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Celebrate the Christmas holiday with a review of many wonderful paintings of snow scenes.

December 24, 2016 General, Life, Painting

James Ward: between Constable and Turner, 3

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His second vast canvas almost brings him to financial and artistic failure, but he recovers.

September 15, 2016 General, Painting

James Ward: between Constable and Turner, 2

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Full membership of the Royal Academy, a gigantic landscape of the sublime, and several important commissions: the peak of his career.

September 14, 2016 General, Painting

James Ward: between Constable and Turner, 1

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One of the major figures in British painting in the first half of the 1800s, but usually ignored today. His oil sketches are exceptional.

September 13, 2016 General, Painting

George Morland: genius, debt, and mistaken identity

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First shown at the Royal Academy when only 10, this true genius had a colourful but tragically short life.

September 2, 2016 General, Painting

The Story in Paintings: Victorian serials

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Hogarth’s series spawned several others, the most significant being by Augustus Egg and William Frith.

March 5, 2016 General, Painting

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