A highly toxic arsenic salt, it succeeded Scheele’s green and was widely used until the 20th century, and finally discontinued in the 1960s.
Monet
The first modern synthetic pigment, from 1704. Adopted by Canaletto, Hogarth and many others since, and still offered in many paint ranges.
Painting captions give information you’d never get from looking at an image, and that in turn tells you even more. This series looks beyond mere images at the media behind them.
The red that lasts hundreds of years without fading, but it’s a highly toxic salt of mercury. Used in European paintings from the Romans to the late 19th century.
An umbrella Madonna, parasols of the nobility, in soirées on the beach, the rise of the white parasol and arrival of Japonisme, with Sargent and Sorolla, and in California.
Taking the train with Turner, William Powell Frith, Manet, and Claude Monet, who became something of a railway buff in the 1870s.
Spanish dancers, Madame X and scandal, Monet painting at Giverny, loose oil sketches, and a husband who became a surrogate dog.
Paintings by Watteau, Manet, Adolph Menzel, Claude Monet and others of these popular gardens in the centre of Paris.
One for sorrow, two for joy, according to the rhyme. Magpies play cameo roles in several major paintings, as shown here.
Deathbed scenes of Dido, Pyramus and Thisbe, King Arthur, Queen Elizabeth I, General Wolfe, Marat, Géricault, Camille Monet, and a posthumous portrait that proved the death of Klimt.
