In these years, he painted peaceful rural scenes, without the social narratives which had featured in his earlier work.
Millet
In the nineteenth century, with the decline of patronage and changed art markets, fables become more popular among painter, at least before they gained patrons.
He first painted rural workers, in a distinctive earth palette. Then came the war, which changed everything.
A major painter in Austria in the early 20th century, his early paintings appear Naturalist. Then in 1900 he saw the work of Hodler, and his work changed dramatically.
A detailed look at his paintings of the rural poor which led up to Naturalism, and how he used a compositional formula so successfully.
Little-known now, and only for his paintings of harvesters and gleaners, in his day he was at the leading edge of the Naturalist revolution, painting scientists.
Exposure to colour was, for centuries, determined by class. The poor lived in largely drab worlds, but the rich surrounded themselves with vivid hues. This all changed in the late 19th century and the 20th.
There’s two ways to paint a coastal cliff: from the beach, or on the top. Surprisingly few landscape painters have opted for the latter. Here are some examples.
How to tell Breton from Millet, and trying to settle the question as to which was the greater artist.
Some extraordinary paintings exploring transient and unusual effects of light, culminating in a retrospective, and his most radical work of all.
The Eclectic Light Company 