Paintings by West, Linnell, De Nittis, Fanner, Maitland, Manet, Menzel, Prendergast and Pissarro, of London’s Royal Parks, and the Tuileries in Paris.
Manet
Starting from Manet’s notorious painting of a picnic in 1863, socialising at mealtime became a popular theme in paintings that weren’t in the least bit Impressionist.
Start with genre paintings from the Dutch Golden Age, add GĂ©ricault’s ‘Raft of the Medusa’, Courbet and Millet’s social realism, Manet and Lhermitte and you’ve made Naturalism.
The Monets and Sisley’s moved on in 1878, leaving only Renoir to visit and paint in the summer. Then in 1881, Gustave Caillebotte got a property nearby, and continued to paint the river here.
Made of almost pure pigment, soft pastel painting didn’t start until after 1650. They excel in representing flesh, so became popular for portraits, and have since extended to other genres.
Derived from the dull yellow-green of chromium oxide, it was widely used by Impressionists, and well into the 20th century. Less toxic, but an environmental hazard.
A highly toxic arsenic salt, it succeeded Scheele’s green and was widely used until the 20th century, and finally discontinued in the 1960s.
First imported through Venice by 1300, it became more precious than gold until it could be made synthetically from 1830. The queen of pigments.
A variety of pubs, bars and cafés from Degas, Manet, Meunier, Lesser Ury, Carpentier, Jean Béraud, Sava Šumanović and Malcolm Drummond.
An umbrella Madonna, parasols of the nobility, in soirées on the beach, the rise of the white parasol and arrival of Japonisme, with Sargent and Sorolla, and in California.
The Eclectic Light Company 