The harvest painted by Anna Ancher, Lhermitte, Adrian Stokes, Nikolai Astrup, John Linnell, Félix Vallotton, PS Krøyer, Gérôme, and others.
Linnell
Cutting the grain crop, in paintings by Pieter Brueghel the Elder, Samuel Palmer, John Linnell, Jean-François Millet, Volodymyr Orlovsky, Mykola Pymonenko and others.
From the Royal Parks in London at the turn of the 19th century, through the parks of Paris, Rome, Vienna, New York City and Brooklyn.
Was ripe wheat cut using a sickle, hook, or scythe? Paintings from 1565 to 1890 show a preference for scythes when men were available.
Coastal landscapes from Claude in 1639, through visits to the island of Capri, to Étretat and Monet’s series, and Divisionists in the Midi.
The humble beast of burden, carrying drunken kings, Mary and the infant Jesus, the Good Samaritan, Sancho Panza, and young lambs.
When to paint looking into the rising or setting sun, or when to put your back to the sun to show its light cast on a mountain peak.
The fall of Icarus, Raphael’s cartoon of the Miraculous Draft of Fishes, Hodler, Larsson, John Constable and others painting anglers.
More gold grain crops and sunsets from Samuel Palmer and his mentor John Linnell during the middle of the nineteenth century.
Gold of ripe grain crops and gold of rich sunsets are distinctive of the paintings of Samuel Palmer and his mentor John Linnell. Here are works from Palmer’s time at Shoreham.
The Eclectic Light Company 