To commemorate the centenary of his death. Early work with the Nordic Impressionists in Skagen, a sick girl that influenced Munch, sailors and self-portraits.
Krohg
Paintings of police from lictors in ancient Rome, through ‘Peelers’ in London, to those regulating prostitution and trying to control striking workers.
The Karl Johan in snow and starvation, in the rain, an anxious moment, and in the summer. Industrial buildings on the Akerselven River, skis in Majorstuen, and more views of the city.
In narrative, including Degas’ ‘Waiting’, as a sign of wind, as an arc of colour, or simply to tell the viewer that it’s raining.
Country folk lured by the promise of material goods and wealth, fine clothes and smart carriages, who end up working in coal mines and struggling to stave off poverty.
Keeping the aspidistra flying in the homes of the respectable middle classes, in paintings from Carl Larsson to Paul Signac and Harriet Backer.
From tired seamstress to milliner, into the fashion house of Paquin, and onto the streets alongside the affluent of Paris at the turn of the century.
The urban poor, painted by Raffaëlli, George Breitner, Fernand Pelez, Christian Krohg, Geoffroy, Henningsen in cities across Europe.
Paintings from cities like London, Paris and Oslo, by Ford Madox Brown, Jean-Louis Forain, Félicien Rops, Christian Krohg, and others.
Laundresses who collect clothes and linen from homes, launder and press them, and return them for a pittance. Seamstresses working long hours with an uncertain future.
