In his later work, he used pastels more, creating soft images of twilight scenes in town and country.
An emaciated corpse in a morgue, a notorious nude rejected by the Salon, and a busy day in the couturier: his choice of motifs was very broad.
After a period writing for his living, Krohg painted two series: one about sailing and the sea, the other about the artist’s model.
An illustrated timeline and overview of how the human visual environment, and perception of it, has changed from ancient times to virtual reality.
His last ‘naturalist’ or social realist painting was in 1889. He also painted his family, and evocative motifs to support Norway’s coming independence.
In the past, people have accepted the reality of mythical creatures, such as winged angels, unicorns, and dragons. When did we start being more objective in our belief of what we see?
In the 1880s, he developed new themes, involving tiredness, cares of motherhood, and fallen women who had gone from slaving at sewing machines to prostitution. Paintings became part of social campaigning.
A social realist whose themes spanned controversial topics such as poverty and prostitution, he was a major influence of Edvard Munch, and central to Nordic and northern European art.
First article outlining Munch’s life and work. His early works shocked critics in Norway, and in Berlin brought an exhibition to a premature end.