The Second Circle of Hell, in which those whose sin was lust are blown by eternal storms. The story of Paolo and Francesca, and many wonderful paintings.
Ingres
Between 1778 and 1815, many narrative painters painted stories from Ossian, based on myths claimed to have been discovered and collected by a Scottish poet, which could well be a hoax. Does it matter?
In 3 years, he swung from conventional to highly novel narrative, covering themes of assassination, cynicism, prostitution, and looking.
How Romulus carefully planned the abduction of maidens to satisfy Rome’s need for wives, and his subsequent wars. Splendid paintings by Poussin, David, Ingres, Guercino, and Nattier.
How could I follow my 85-part account of Ovid’s Metamorphoses? With the greatest collection of biographies of classical figures, an inspiration to Charlotte Corday herself.
At the start, he was a traditional realist.
Paintings of odalisques, slave markets, and Turkish baths became popular in the nineteenth century. What was the Orientalist fantasy, and why?
A precocious artist, he went from 2 years study in Rome to Morocco, where he was a war artist. There he became an orientalist.
In the 8 years after painting the Death of Wolfe, he attempted a few more ‘modern history’ paintings, with varying success.
For his first decade as a professional artist, he painted narrative works and portraits. Here are some of his little-known narrative paintings.
