From Böcklin and Waterhouse to Vincent van Gogh and Egon Schiele, many 19th century artists used crows as a symbol.
Based more on the legend of Johann Faust, here’s a summary of the second part of Goethe’s play, with paintings and illustrations for it.
Drinking in one of the oldest bars in Leipzig gets the pair into trouble, so they move on to get a witch to rejuvenate Faust. He then lusts after Gretchen.
Faust signs his contract with the devil in his own blood. Paintings by Ary Scheffer and others, and an engraving by Delacroix tell this story vividly.
Viewed as classic and fit for narrative painting, Faust is about good and evil, a powerful story which has inspired powerful paintings.
Including superb paintings by Zorn, Marie Spartali Stillman, Boldini, van Gogh, Cézanne, Sargent, Demuth, and Signac.