Tintoretto to a friend, Antonello’s cartellini, Alma-Tadema’s dedication of a wedding present in some graffiti, and some mysterious Venetians.
It’s sometimes hard to read a painting without understanding an inscription. Masaccio, Rossetti, Moreau, Corinth and Botticelli gives us some clues.
Rembrandt’s Belshazzar’s Feast, Tintoretto, William Blake, and Lawrence Alma-Tadema’s painting of Sappho each rely on words.
Vasari claimed that he was trained by Jan van Eyck, but he probably learnt under an Italian artist in Milan before becoming the first Master in oils.
Painted on two panels of oak using egg tempera, it combines gold and raised details to mimic precious stones. How it was made.
Short summary of their history, art, and their role in the evolution of painting in the twentieth century, with copious links to articles here.
Hosting Lord Byron’s Alpine Witch, as the birth canal for Thomas Cole’s ‘Voyage of Life’, and an attempt by Courbet to return to the womb? The versatility of caves.
Before folk history changed with the concept of human evolution, caves were sacred places inhabited by hermits, or figures from myth.
Modern bridges and more modern paintings from Vallotton, Bonnard, Schiele, and most prominently Joseph Stella’s ‘Brooklyn Bridge’.
Which bridge did Manet fall in love with, and how did the Langlois Bridge painted by Vincent van Gogh get its name?