Were Pre-Raphaelite landscape paintings just a brief and unimportant, passing phase, or did they have significant influence?
What does a painter do when the person who commissioned their portrait won’t pay, and demands the painting be withdrawn from show?
He said he’d rather go to Europe than go to Heaven. Let’s hope that he managed both. Paintings and articles about him listed.
Into the 20th century, and he was busy teaching at Summer Schools in Europe, and trying to come to terms with art of the future.
A fascinating and eclectic year in art, as the Masters of the 19th century handed over to the tigers of the 20th.
Distinguishing links from stretchtext, and building in a complex non-linear thread.
His golden age, when each summer the family moved up to their house at Shinnecock, where he taught, and painted like never before.
His later paintings became weaker in narrative to the point where some seemed almost trite. What was he up to?
His later paintings, after 1858, are quite different from those he made when a member of the Pre-Raphaelite Brotherhood. How?
A busy period of work mainly in his New York studio, Chase met and painted with Whistler in London, and Sargent in New York.