He didn’t paint much in pastels until he was in his fifties, but for the last 20 years of his life he made many highly original works in their pure colour.
history of painting
Examining the detail of how he applied patches of paint over a period of almost fifty years reveals how his pointillism changed.
Two movements concerned with depiction of clothing and fabrics: Costumbrism in Spain, with local customs, and wild fashion in French frou-frou.
Grisaille – grey underpainting used to set the tone for a finished work – is like underwear, waiting for richly coloured clothes to go on top. Not in these paintings, though.
Twelve years earlier, the real Duke of Milan was abandoned with his young daughter in a small boat. When he is able to bring his usurper to face his revenge, this is what happens.
Paintings from the second half of the 19th century, from Aivazovsky, Delacroix, Winslow Homer and others, as a prelude to The Tempest.
Travel by sea was hazardous. Here are paintings of shipwrecks from Tintoretto to the early 19th century, as an introduction to The Tempest.
Possibly taught by the portraitist Charles Chaplin, she painted pastels with Edgar Degas but took a different approach to composition, specialising in mothers and infants.
Pointillist oil paintings from the last 15 years of his life, when he mainly painted watercolours. These concentrate on ports and bridges of Paris.
In Spain, Sorolla was first Naturalist, then his style loosened to resemble that of Sargent; Zorn in Sweden painted early detailed watercolours before loosening up in oils.
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