An eclectic range from LA Ring’s fine realism, Paul Signac’s Pointillism and watercolours, Pierre Bonnard in Le Midi, to Marsden Hartley and Lesser Ury.
Hartley
Louise Upton Brumback moves from the harbour to the beaches, and with Marsden Hartley visits the abandoned settlement of Dogtown.
The changing colours of trees and their leaves in the autumn/fall, celebrated in paintings from John Ferguson Weir in 1901 to Paul Nash in 1944.
In the early 20th century, painters started using intense colours, often raw from the tube, and those shifted to give green flesh and blue horses.
When the Salons were flooding with fleshly dreams of harems, landscape artists were depicting the desert with its camels and caravans.
More leaf-peeping, from Tina Blau and Monet’s poplars on the River Epte, to Paul Nash’s eerie Wittenham Clumps under the moon’s last phase.
More wonderful paintings of snowlines on the Sierra Nevada, in the South Tyrol, the Bavarian Alps, and in Maine. Autumn has arrived, and winter’s coming close behind.
In the first article of this pair, I showed a selection of some of the finest paintings of […]
He continued with extraordinary detailed fantasies of birds and flowers, and developed drawings in silverpoint with crayon.
He developed near-Surrealist fantasies apparently inspired by Hieronymus Bosch, and the Cubist ‘Brooklyn Bridge’, his best-known work.
The Eclectic Light Company 