In the early 20th century, painters started using intense colours, often raw from the tube, and those shifted to give green flesh and blue horses.
Main themes of the group include views of everyday London, its music halls, mundane domestic interiors, and inevitable portraits.
A friend of Spencer Gore and Charles Ginner, he painted interiors, portraits, and landscapes, which were originally made in front of the motif.
In the latter half of 1912, his style became overly Fauvist and was also influenced by Cubism. A move back to London brought a reversion, though.
Son of the first Wimbledon tennis champion, he developed a Post-Impressionist style in his paintings from 1907 to the time of his marriage in early 1912.
Between 1910-14, avant garde painting in Britain came to the fore, with exhibitions of the Allied Artists Association, Fry’s Post-Impressionists, and this group of 16 painters.