Beards on Father Time, river gods, God the Father, ancient mariners, and lots and lots of artists, especially the Nabis.
Fantin-Latour
Often an excuse for a classical nude, at least two paintings show her clothed, and many reveal her love affairs.
Initially successful with Naturalist paintings similar to those of Bastien-Lepage, around 1890 he became a leading Symbolist.
More virtuoso glassware as painted by William Holman Hunt, Chase, De Nittis, Vallotton, and others in the 19th century.
Pointing and gesturing in a selection of paintings by Leonardo da Vinci, Corot, Poussin, Gérôme, John Singer Sargent and others.
Look where the figures are looking: that helps you read many paintings. Fine examples from Moreau, Gérôme, Lovis Corinth, Velázquez, and others.
To see his art, look not at Fantin’s groups of human figures, but at these crowds of flowers and fruit.
Six distinctive group portraits are now the works for which he is best known. But aren’t they strange, set in comparison with contemporary paintings?
He seems to have painted continuously up to his death in 1904, but paintings quite unlike before. And why his huge collection of photos of nude models?
His last large group portrait features eight men who gathered to enjoy the music of Wagner. Why are they all looking in different directions, though?
