Ink, soot suspended in water, making the transition from drawings into paintings. The secret of shellac. Casein, originally from sour milk, as a binder in some vast murals.
Egger-Lienz
Milkmaids milking cows in the shed, a farmer threshing and winnowing grain, churning butter, and a young couple courting by the back-ends of cows.
The harrowing of Hell, and the Resurrection in the paintings of William Blake, Jan Brueghel the Elder, William Holman Hunt, and others.
By William Blake, Jules Bastien-Lepage, Edward Burne-Jones and others, Edward Stott, Albin Egger-Lienz, Henry Ossawa Tanner, and Kazimierz Sichulski.
Juana the Mad, who refused to let her husband be buried, resurrection of the drowned, funerals in the Carpathians, and fear of being buried alive.
Stone-picking to improve the soil. A series of paintings of the Sower, broadcasting seed by hand. Weeding the fields to help the crop grow.
This is the second in my series of articles looking at paintings believed to have been created a […]
Franz von Stuck, Lovis Corinth, Jacek Malczewski, Henry Ossawa Tanner, Albin Egger-Lienz, and Edmond Aman-Jean tell stories from 1923.
Paintings by William Blake, William Holman Hunt, Albert Edelfelt, Albin Egger-Lienz and others.
Modern interpretations of the adorations of the shepherds and the three kings or magi, from William Blake to Sichulski’s triptychs in 1938.
The Eclectic Light Company 