Parrots in still life paintings from the Dutch Golden Age, accompanying a Turkish page, in English summer, or passing Pierre Bonnard in Saint Tropez.
Duveneck
Corot’s view from the Boboli Gardens, Thomas Cole, John Brett’s landscape masterwork, intimate view from local painters, and a portrait by Paul Sérusier.
Paintings by Fitz Henry Lane, Winslow Homer, Willard Metcalf, Frederick Childe Hassam, and Frank Duveneck.
Paintings by Martín Rico, a Spaniard who painted in Venice ever summer, and died in the city, Renoir, John Henry Twachtman, Frank Duveneck, Boudin, and others.
Trained with William Merritt Chase, lived in Pont-Aven artists’ colony, and her painting was clearly influenced by the Impressionists, and quite unlike that of her husband.
From Corot to Sérusier, the American Thomas Cole to the British John Brett, a collection of superb landscapes of the city.
First in a series detailing his life and work. This covers his training, and first establishing his studio in New York. Plenty of his paintings are included.
In America, geographic isolation and growing freedom led to the craft of oil painting being smothered by artistic intent. Here are some results.
His studio was a recurrent motif which tells us much about his promotional activity, and his extended persona.
An American Master in his own right, his paintings were on a par with those of Chase, and he was a successful teacher too.
The Eclectic Light Company 