This is when the year should really begin. A celebration of the real New Year from Botticelli to Pissarro, aided by Sisley, Van Gogh and others.
Fishing with rod and line plays a significant part in the myth of Daedalus, and adds calm and timelessness to many landscapes.
Paintings conveying the atmosphere of autumn, from Joos de Momper in the early 17th century, to Hawkins in about 1890,
A series to examine visual development of figures within narrative paintings, according to their type of plot. The fall of Icarus used as an example.
Examples of surreal visual art from Bosch in about 1500, through Piranesi’s Imaginary Prison, Richard Dadd, to Félix Vallotton in 1892.
Nine daughters of Mnemosyne representing each division of the classical arts. Paintings from Raphael to Moreau.
Derived from books of hours, paintings of the four seasons started to appear in the late 16th century. Here are Arcimboldo, de Momper, and the Brueghels.
From being a sub-genre of landscape painting in the Dutch Golden Age, to recording the catastrophic fire which destroyed most of Moscow when Napoleon occupied the city.
The popular story told concisely by Ovid, and painted brilliantly by van Dyck, Leighton, Rubens, Brueghel, and others.
After short mentions of Pegasus making a new spring with his hoof-print, and the strange Pyreneus, the Muses tell of their contest with the daughters of Pierus, who were turned into magpies.