If composers and performers can evoke visual images in music, why can’t painters return the complement? Lavinia Fontana, Vermeer, Menzel, Corot and others try.
Corot
Most of his paintings before 1829 flopped when shown in Britain, but from the Salon of 1824, his work was highly praised in Paris.
Examples of a ‘dead’ narrative technique used by JMW Turner, Corot, Ford Madox Brown, Edvard Munch, Lovis Corinth and others.
His four best paintings viewed in their historical context, and consideration of the constraints that he painted under. What if?
A short illustrated history of Renoir’s career as a landscape painter, from Barbizon to La Grenouillère, Post-Impressionism and the influence of Corot and Cézanne.
In which Renoir seeks comfort from his arthritis in the south of France, first in Le Cannet, then Cagnes-sur-Mer. Marvellous landscapes.
Illustrated table of contents to all the articles here describing Dante’s Divine Comedy and the great paintings and prints that accompany it.
Pointing and gesturing in a selection of paintings by Leonardo da Vinci, Corot, Poussin, Gérôme, John Singer Sargent and others.
Some of Pissarro’s finest landscapes from 1854 to 1870 show his evolution from realism through Barbizon to Impressionism.
Bridges have had huge impact on man, but aren’t normally considered aesthetically attractive. Paintings from van Eyck to Jongkind show increasing interest among artists.
The Eclectic Light Company 