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Corot

Beyond the French Impressionists: 28 Who started it, and how did it spread?

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We should refer to European and not French Impressionism, although prior to about 1880 the hub of the movement was certainly Paris.

July 13, 2015 Painting

Beyond the French Impressionists: 27 What makes an Impressionist painting?

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In the absence of any clearly articulated theoretical statements from the core French Impressionists, there are no obvious rules or clear criteria handed down.

July 10, 2015 Painting

Beyond the French Impressionists: 20 USA, William Merritt Chase

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He became an unabashed Impressionist during his long training in Europe, and was a great painter by any standards.

June 24, 2015 Painting

Beyond the French Impressionists: 19 USA, Winslow Homer

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He never aspired to be an impressionist, but painted many works plein air, with loose brushwork, and conveying impressions.

June 21, 2015 Painting

Beyond the French Impressionists: 17 USA, George Inness

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Today, many consider him to be the father of American landscape painting.

June 16, 2015 Painting

Beyond the French Impressionists: 9 Germany, Blechen, Liebermann, Corinth, Slevogt

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The main German impressionist painters followed the French Impressionists, with Liebermann and Slevogt continuing to use the style well into the twentieth century.

May 24, 2015 Painting

Beyond the French Impressionists: 8 The Netherlands, Jongkind

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If anyone led Impressionism during the 1860s and early 1870s, it was surely Jongkind.

May 19, 2015 Painting

Beyond the French Impressionists: 3 The Macchiaioli, Giovanni Fattori

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Of the more prolific and influential members of the Macchiaioli, Fattori was the only one to adhere to the group’s principles throughout his career, at cost to his income and recognition.

May 9, 2015 Painting

Favourite Paintings 17: Camille Corot, View of Rome: Castel Sant’Angelo, 1826-7

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A superb plein air painting of this scene on the River Tiber is part of the foundation that Corot laid for Impressionism.

April 6, 2015 Painting

Favourite Paintings 8: Berthe Morisot, La Lecture (Reading), 1888

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This Impressionist essay on light, colour, and tranquillity features vivacious brush work; in taking art into everyday family life, it heralds art for all.

February 25, 2015 Painting

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