From Naturalist paintings of Bastille Day in 1880 to rush hour in New York City, and crowds outside the Gare de l’Est in 1917.
Modern bridges and more modern paintings from Vallotton, Bonnard, Schiele, and most prominently Joseph Stella’s ‘Brooklyn Bridge’.
How Samuel Palmer used ink in paintings, and some fine work using the milk protein casein, by Gustav Klimt and others.
Although known for his paintings of nudes, many of his subjects were fully-clothed, and most were powerful women who overcame adversity.
Less often painted than the rural poor, Naturalism did show the growing pains of the 19th century cities. Paintings from Lhermitte, Luce, Bellows, and more.
A selection of favourite paintings from 1918 by artists who worked in more traditional styles, from Japan to Texas, and Norway.
Borrowed from the Church, parasols became an accessory of the aristocracy, then for all who were fashionable. They went from black to white, then Japanese.
Until 1867, Cornwall was days away from London, but its coast was painted by De Wint, JMW Turner, and Samuel Palmer.
Are they part of a narrative, or staffage? Do they provide scale, or enhance the effect? Are the figures part of the landscape, or even the landscape itself?
How Colin Campbell Cooper and George Bellows used figures in their paintings of New York City in the early twentieth century.