Changes made to the finished version of a painting after its painting has started may be evident from careful examination. Examples from Leonardo da Vinci to Paul Cézanne.
Cézanne
Paintings by David Teniers the Younger, Domenicus van Wijnen, Tiepolo, Fantin-Latour, Cézanne, Félicien Rops and Lovis Corinth.
Matching views painted by Pissarro and Cézanne of the Côte des Boeufs, a rainbow, the village in winter snow, and Pissarro’s gradual change to Pointillism.
From Pissarro’s early realist landscapes of 1867, the landscapes of a forgotten Impressionist, to the first outdoor paintings of Paul Cézanne made alongside Pissarro’s easel.
Derived from the dull yellow-green of chromium oxide, it was widely used by Impressionists, and well into the 20th century. Less toxic, but an environmental hazard.
A highly toxic arsenic salt, it succeeded Scheele’s green and was widely used until the 20th century, and finally discontinued in the 1960s.
Indian Yellow was allegedly made from the urine of cows fed on mango leaves, dried into balls, but was outlawed as it cruel to the cattle. Chrome Yellow was widely used by the Impressionists.
Mr Punch and his wife Judy, and the crocodile as acted by puppets and itinerant players, and circus clowns. Paintings by Cézanne, Renoir and others.
Aeneas’ ill-fated and brief affair with Queen Dido of Carthage, past the Cercopes who had been turned into monkeys, and on to the Sibyl to take him to visit his father in the underworld.
Studio interiors from John Ferguson Weir, Cézanne, Bazille, William Merritt Chase, William McGregor Paxton, Olga Boznanska, and Carl Larsson.
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