Both Poussin and Delacroix painted important series just before they died. Others here from Bouguereau, Mucha, and the Japanese Araki.
The story of ‘The Hunchback of Notre Dame’ has become something of a modern legend. Here are some of the paintings made of its story, before it obsessed early filmmakers.
The depiction of Pandora opening her box and unleashing all its ills on the world remained popular, with paintings by Alma-Tadema, Bouguereau, Waterhouse, Rackham, Redon, and others.
For the latter half of the 19th century, Pont-Aven in Brittany was one of the leading centres for painting in France. Here’s its history, from Weber and Wylie to PS Krøyer and Julian Alden Weir.
Two transformations: Dryope changes into a Lotus Tree, and the incestuous Byblis becomes a spring.
The majority of portraits and genre paintings of women washing clothes are thoroughly demur, without the slightest innuendo.
One king trusts his daughter into the care of his son-in-law, another king. What happens next is horrific, and shown brilliantly by Artemisia Gentileschi and Rubens.
Who or what exactly is Cupid? How did a mischievous and rather obese infant come to represent love?
On the ceiling of a stairway of the Museum of Fine Arts in Boston is one of Sargent’s last and greatest paintings: one of the greatest narrative paintings of the 20th century.
Her portraits are of the New Woman: well-educated, thoughtful, and increasingly in control of their own destiny.