River gods from Rubens, Poussin, Coypel and Boucher, with Naiads from Walter Crane, JW Waterhouse, Henrietta Rae and others.
Boucher
The 101st story, buried in the start of the fourth day, about a father who turns hermit with his young son after his wife’s early death, and a derived fable told by La Fontaine.
The god of the seasons and gardens falls in love with a devoted gardener, but can’t woo her successfully when posing as someone else.
Meleager is killed by his own mother in a strange way, then Ovid cuts to a feast thrown by the river god Achelous to entertain Theseus and others.
The beautiful Orithyia is betrothed to the north wind of winter, Boreas, but is rejected by her father. He takes matters into his own hands, and sweeps her off to be his wife.
Pan pipes, in paintings by Mikhail Vrubel, Poussin, JW Waterhouse, Franz von Stuck, Titian, and others.
Left as a cliffhanger ending to Book 2, Jupiter assumes the form of a white bull, and lures Europa to sit astride his back before whisking her away across the sea.
Jupiter wants Io, but after raping her turns her into a cow for safe-keeping. Juno suspects, though, and puts the cow under the watchful hundred eyes of Argus.
Paintings from Rembrandt’s second version to Cézanne and Franz von Stuck show the triumph of privileged male power.
The north wind, cold and harbinger of winter, who abducted an Athenian princess in so many paintings. Also one painting which could show Euros, the east wind.
The Eclectic Light Company 