Feet playing major roles in paintings by Gustave Moreau, Tintoretto, Rembrandt, Böcklin, Lovis Corinth, and others.
It’s sometimes hard to read a painting without understanding an inscription. Masaccio, Rossetti, Moreau, Corinth and Botticelli gives us some clues.
From fresco to varnish: a succinct summary of all the different media which have been used in painting, with links to more detailed articles.
How can visual artists express non-visual concepts like the senses, virtues, the struggle between good and evil? Examples from Botticelli, Tintoretto, Rubens, and others.
First popularised for use with glue tempera, ‘canvas’ quickly developed into the first choice for oils. In Venice, canvases as large as tennis courts were used by Veronese and Tintoretto.
The very best paintings showing Dante’s journey through Hell, as described in his Inferno. William Blake, Corot, Doré, Koch, and more.
From the funerary portraits of Fayum, through the work of Jan van Eyck, to Leonardo, Rubens and Botticelli, many of the greatest paintings are on wood panels.
References to Botticelli’s Primavera and Poussin by Tiepolo, and in the late 19th century: Flora and the Spring.
Two masterworks: Botticelli’s Primavera (Spring) and Poussin’s Empire of Flora, telling stories from Ovid. And they paintings they influenced.
In the Renaissance, while oil painting was still catching on, many of the greatest masterpieces were painted in egg tempera. How, and to what effect?