In some of the earliest European paintings, the Fall of Man, the fable of the cat’s paw, in Vanitas paintings, and for their mischief and mayhem.
Bonnard
Paul Cézanne led the way in Aix-en-Provence, followed rapidly by Renoir, Signac, Cross, Luce, van Rysselberghe, and Pierre Bonnard.
Concluded with paintings from Willard Metcalf, Pierre Bonnard, JW Waterhouse, Nikolai Astrup, Paul Nash and others.
The fairy tale of the Frog Prince, the fable of The Frogs who Demand a King, frogs at the Fall of Man, and dangling from a kite tail above Strasbourg.
Repoussoir through windows, doors, then invading the middle of the painting with Corot and Pissarro, before Cézanne inverted it altogether.
Left as a cliffhanger ending to Book 2, Jupiter assumes the form of a white bull, and lures Europa to sit astride his back before whisking her away across the sea.
Huge divans, closed wooden cabinets, and iron bedsteads. In love, marriage, adultery, problem pictures, and the erotic.
Views of France, from the island of Groix in the north-west, to Saint-Tropez in the south. By Signac, Bonnard, Vallotton, van Rysselberghe, and others.
This is the second in my series of articles looking at paintings believed to have been created a […]
In chiaroscuro, for enlightenment, at the centre of family and friends at dinner, and in special safety lamps carried underground by coal miners.
The Eclectic Light Company 