In the weaving contest between Arachne and Minerva, used by the Fates, cropped to weaken Samson, in the Annunciation, or simply for cutting.
Blake
Trained first as an engraver, he avoided oil paints altogether, working in conventional watercolour, mixed media, and developed two distinctive techniques, one of watercolour monoprints, the other using glue tempera.
Take a flat metal plate and paint on it using gouache or oils, then impress it onto a sheet of paper, and apply soft pastel to bring out the colour. That’s a painted monotype print.
In a myth invented by Piero, a radical annunciation, Pre-Raphaelite religious paintings, William Blake and others who allude to Joseph, the most famous of all.
Composition and effects of different types of varnish, with its visual effects, and how it can make a painting unreadable when it contains accumulated dirt.
How Dante meets up with Virgil, and is guided by him down to the deepest circle of Hell. About the other two books, covering Purgatory and Paradise.
To the depths of Hell, to see the giant triple-headed Lucifer eating Judas Iscariot, Brutus and Cassius. Then as dawn draws near, back to the world above.
The horrific story of a count locked away to starve to death, who turned to cannibalism. How that came to be used falsely in Lavater’s physiognomy.
Fraudsters, the incestuous Myrrha, mother of Adonis, a counterfeiter, Potiphar’s wife, then the treacherous who betrayed their kin.
First a centaur killed by Hercules, then souls being tormented by reptiles, those with fraudulent lives burning in hell, and dismembered parts of those who inflamed dissent.
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