How can visual artists express non-visual concepts like the senses, virtues, the struggle between good and evil? Examples from Botticelli, Tintoretto, Rubens, and others.
A polymath during the final years of the Ottoman Empire, he trained in Paris, and painted wonderful street and other scenes in Turkey.
Why are there two tortoises in the foreground of Moreau’s ‘Orpheus’? After a journey through Zen Buddhism, fables, and political allegory, the answer may be more obvious.