Not just the cereal harvest, but here paintings of the fruit harvest, from Bassano and Poussin, with grapes, figs, apples, blackberries, to Berthe Morisot.
First Raphael showed how meticulous attention to detail brought lifelike appearance to clothing and fabrics, then Veronese showed that freer brushwork was just as effective.
In the century from 1560, many artists painted allegories of the four elements of the classical world: earth, air, water and fire. Here are some fine examples.
An exotic import until the Romans enlisted her support against the Carthaginians, her chariot is drawn by a lion and lioness – who desecrated an old shrine.
Two final paintings, his striking portrait of Saint John the Baptist, and the highly controversial ‘Salvator Mundi’, the most expensive painting in the world.
His 8 Last Suppers from 1547 to around 1593 compared with contemporary versions by Titian, the Bassanos, and Veronese. A true feast.
In his final decade, he designed the vast ‘Paradise’ for the Doge’s Palace, and several great paintings, but probably painted relatively little himself.
We should add these Masters to the growing list of those with ‘painterly’ style, and consider whether Impressionism was a development of Venetian ‘colorito’ painting?
Consideration of landscapes as decorative backdrops, altered visions leading to fantasy, and a summary of the series.
I am going to try getting inside the artistic imagination of important landscape painters, and discovering the vision that each had of the landscape. Here are some hors d’oeuvres.