His golden age, when each summer the family moved up to their house at Shinnecock, where he taught, and painted like never before.
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His later paintings became weaker in narrative to the point where some seemed almost trite. What was he up to?
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His later paintings, after 1858, are quite different from those he made when a member of the Pre-Raphaelite Brotherhood. How?
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A busy period of work mainly in his New York studio, Chase met and painted with Whistler in London, and Sargent in New York.
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Several Pre-Raphaelites painted this character from a Shakespeare comedy, but as a symbol of despondent isolation. Why?
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