This series of articles set out to consider how faithfully landscape painters have tried to depict the views and objects that they paint, as the ‘truth’ of their painting.
The two perennial bugbears of the countryside are dogshit and dumping. I will spare you the former, for […]
The Isle of Wight is, I believe, the closest that the UK gets to the Mediterranean. You can […]
Cézanne’s final style, featuring his characteristic ‘constructive stroke’ with patches of colour built from groups of parallel brushstrokes, […]
Playing with VR tools, in particular the Leap Motion, makes some limitations clear very quickly. The biggest and […]
Being a linguist must be very frustrating. When others think of the most intellectually-demanding subjects which have been […]
There is no shortage of grammars, particularly of English, which will tell you how you must write a […]
Virtual reality (VR) is hardly new, nor experimental. Aircraft pilots and ships’ crews have been training in VR […]
Oil paints have been used for centuries in most of Europe’s greatest paintings, together worth far more than […]
Paul Cézanne has been repeatedly described as the ‘father’ of several of the major movements in painting which […]
The Eclectic Light Company 