One of Rome’s greatest generals, he was consul for a record seven times, but died in the throes of the First Civil War, his hands covered with the blood of good Roman citizens.
Category Archive: Painting
In the nineteenth century, with the decline of patronage and changed art markets, fables become more popular among painter, at least before they gained patrons.
Never previously popular except as illustrations, paintings of fables became common in the Dutch Golden Age, and again in the work of a great animal painter around 1750.
Two more informal Last Suppers, a votive of the Doge who ruled Venice at the time, and the perils of black grounds.
A succession of victories, many by his personal bravery and leadership from the front. But ultimately they were unsuccessful – and Pyrrhic.
Some of his best paintings of his partner for almost 50 years, in the bath, on the bed, at the table, or just walking around the house.
He completes his work for the Albergo at San Rocco with three scenes from the Passion, and paints a votive showing the Madonna and Child with three contemporary fiscal administrators in Venice.
Even Poussin used this narrative form. Here are other example right up to 1947, including paintings by Corot, Munch, Corinth, and others.
Great paintings by Botticelli, Bosch, Titian, Tintoretto, the Carraccis, and others, showing multiplex narrative.
Showing two or more scenes from the same story in a single painting (multiplex narrative) is common, effective, and good art. Examples from Masaccio, Memling, Bosch, and more.
The Eclectic Light Company 