He travelled further afield in the 1880s, focussing on his nocturnes and paintings of twilight, which retain their fine detail.
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A painter of nocturnes greater than Whistler, he developed a great love for night scenes, and was commercially successful.
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Bridging between the Middle Ages and the Renaissance, he was a master who helped shape our whole visual culture.
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The Saracens launch their assault on the city of Paris. Meanwhile, Astolfo is making the long journey back to Europe, during which he has capture a giant and kill a monster who self-repairs.
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He continued to develop his style and technique in landscapes, with a remarkable lightness of touch, and figures shown as cutouts from their background.
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