From Savage’s portrait of the Washington family, through James Tissot’s boring old soldiers, coming full circle with a modern map of Dante’s Purgatory.
Nikolai Astrup, Lovis Corinth, Pierre Bonnard, Renoir, Alphonse Mucha, Édouard Vuillard, and others in an eclectic mixture of styles and schools.
Paintings by Botticelli, William Merritt Chase, Pierre Bonnard, Paxton, and Vuillard showing the first meal of the day.
More virtuoso glassware as painted by William Holman Hunt, Chase, De Nittis, Vallotton, and others in the 19th century.
Short summary of their history, art, and their role in the evolution of painting in the twentieth century, with copious links to articles here.
What became of those who had been Nabis in the early 20th century? These four never completely abandoned their Nabi roots, as seen in their paintings.
After 1895, their styles and themes diverged, with Japonisme popular, and motifs ranging from the streets of Paris to the great waves of the Brittany coast.
Paintings from 1893-95 feature predominantly women, and explore the theme of womanhood. Bonnard, Vuillard, Sérusier and others.
Flattened perspective, muted colours, and decorative patterning: some of the characteristics of the early Nabi years.
Paul Gauguin inspired and launched the Nabis during the late 1880s at Pont-Aven. They first exhibited in 1889, and published their manifesto in 1890, by which time he had moved onto another project.