Paul Cézanne led the way in Aix-en-Provence, followed rapidly by Renoir, Signac, Cross, Luce, van Rysselberghe, and Pierre Bonnard.
van Rysselberghe
Concluded with paintings from Willard Metcalf, Pierre Bonnard, JW Waterhouse, Nikolai Astrup, Paul Nash and others.
Landscape paintings by Daubigny, Sisley, Berkos, Astrup, Pissarro, Julian Onderdonk, Granville Redmond, Théo van Rysselberghe and others.
Storm in the Bay of Biscay, a deep fake of 1808, a dedication for a wedding present, the Trojan Horse, and remarkable modern narratives.
Views of France, from the island of Groix in the north-west, to Saint-Tropez in the south. By Signac, Bonnard, Vallotton, van Rysselberghe, and others.
Fish markets from Turner, Zorn, Pradilla, Sorolla, and further afield with Alberto Pasini and Théo van Rysselberghe.
In the early 20th century, some bathers opted for trunks, a few still bathed naked in seclusion, and modern clothes broke out on occasion.
Trees in blossom from Sérusier, Bonnard, Waterhouse, van Rysselberghe, Nikolai Astrup and others.
Having moved on from Divisionism, the chroma in his paintings rose to a peak by about 1918, after his retirement to the Côte d’Azur.
After a promisingly Realist start at the age of just 17, he progressed through Impressionist style and became a Divisionist in 1887-88.
The Eclectic Light Company 