John Collier’s latest ‘problem picture’ became the most popular event in the Royal Academy’s annual exhibition.
More virtuoso glassware as painted by William Holman Hunt, Chase, De Nittis, Vallotton, and others in the 19th century.
Pointing and gesturing in a selection of paintings by Leonardo da Vinci, Corot, Poussin, Gérôme, John Singer Sargent and others.
Short summary of their history, art, and their role in the evolution of painting in the twentieth century, with copious links to articles here.
Six distinctive group portraits are now the works for which he is best known. But aren’t they strange, set in comparison with contemporary paintings?
High-chroma, constructive strokes, realism typical of the mid-20th century, and ‘corn style’ using coalescent tiles of high-chroma paint – you couldn’t get further from being Nabi.
Modern bridges and more modern paintings from Vallotton, Bonnard, Schiele, and most prominently Joseph Stella’s ‘Brooklyn Bridge’.
Paintings from 1893-95 feature predominantly women, and explore the theme of womanhood. Bonnard, Vuillard, Sérusier and others.
Flattened perspective, muted colours, and decorative patterning: some of the characteristics of the early Nabi years.
Paul Gauguin inspired and launched the Nabis during the late 1880s at Pont-Aven. They first exhibited in 1889, and published their manifesto in 1890, by which time he had moved onto another project.