Views of France, from the island of Groix in the north-west, to Saint-Tropez in the south. By Signac, Bonnard, Vallotton, van Rysselberghe, and others.
Ury
Electric light on the banks of the Seine in Paris, and in the shopping centres of Berlin, herald the eternal light of today’s city centres.
From the burning brands and oil lamps of the Greeks and Romans, to the soft light of candles, then in the 19th century came gaslights.
City streets grew a lethal mixture of horse-drawn vehicles, trams, buses, and a few motor cars. But above them flew the pioneer aviators.
Two famous hay wains, Goya’s stone cart, horses and carts assisting a heavy steam crane in Paris, and carrying goods in the centre of New York in 1911.
From two pairs of unicorns drawing the Duke and Duchess of Urbino to a horse-drawn fire engine racing through the countryside, how animals have drawn people everywhere.
Who’d want to paint much of their canvas dull, pale grey? If these paintings are anything to go by, many of the Impressionists
More modern landscapes by Paul Nash, Anna Hills, Lesser Ury, Lovis Corinth, Pierre Bonnard, Emily Carr, and Joseph Stella’s Cubist masterpiece.
Paintings by David, Richard Dadd, Carl Larsson, Pierre Bonnard, and Jean Béraud exploring the roles of writing in the nineteenth century.
It was Vincent van Gogh who first showed rain streaks, in a painting made just a few days before his death. They’ve since become a standard visual device.
The Eclectic Light Company 